voyagersecret90
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- | [[voyager70|Back to the session description]] | ||
- | |||
- | ====== Voyager70 - 3 February 2006 - The Final Trial ====== | ||
- | |||
- | ==== Roderick' | ||
- | |||
- | Roderick, | ||
- | |||
- | The sound of women singing rouses you from what feels like a deep slumber. | ||
- | Their voices are sweet and intensely beautiful - and even though the language | ||
- | is one you do not understand, they invoke deep emotions of pain and sadness. | ||
- | |||
- | As your mind tries feebly to understand the words (or at least the emotions), | ||
- | you realize you are lying on your back in what you sense to be some kind of | ||
- | natural cavern. | ||
- | of fuzzy stars light what should be the ceiling. | ||
- | as if you are indoors, the visual above you makes it seem as if you had made | ||
- | camp in an open field. | ||
- | |||
- | You have no idea how you got here. | ||
- | |||
- | Slowly, your mind begins to fill in the gaps. The stars above you are not so | ||
- | much " | ||
- | by the gods. | ||
- | |||
- | Then you remember the pyramid and the insane celestial. | ||
- | sounds of his spell and the way the resonance of his magic words filled your | ||
- | ears, your head, then your entire body. | ||
- | |||
- | You turn your head to the right. | ||
- | the soul gem. You should still see the battle field beyond the indistinct | ||
- | walls of the magic gem. Had it failed? | ||
- | your life finally over? | ||
- | |||
- | As these thoughts worm their way into your mind, the singing abruptly stops. | ||
- | |||
- | You pull yourself to a sitting position and see three women looking at you. | ||
- | The first is young and she is pulling a long thread from what looks like a | ||
- | skein of glowing yarn. She hands the thread to the second woman - who is | ||
- | perhaps close to your age - who uses a pair of long needles to weave it into | ||
- | a large, but diaphanous tapestry that floats next to her. The third woman is | ||
- | old, wrinkled, and hunched over the tapestry with a small pair of scissors. | ||
- | She is carefully and expertly snipping threads as they wriggle from the | ||
- | second woman' | ||
- | |||
- | [[http:// | ||
- | |||
- | "The Rivers expected more death from your trials. | ||
- | correct their misconceptions." | ||
- | |||
- | The three speak in a strange unison. | ||
- | continued by the second, and finished by the third. | ||
- | speech and, while the whole is disconcerting, | ||
- | be hard pressed to tell that more than one person was speaking. | ||
- | |||
- | "As you are more resilient than they expected, it should be no surprise that | ||
- | you have passed your trials." | ||
- | |||
- | Your memory is clear now. It certainly doesn' | ||
- | trials. | ||
- | |||
- | The True Seeing spell you cast earlier appears to still be active and as you | ||
- | look around, the significance of the women and their tapestry becomes | ||
- | clearer. The three women must be what the Lowlanders call "The Fates" | ||
- | are (in order by age) Clotho, Lachesis, and Atropos and their role is to | ||
- | weave the threads of life. Clotho spins the thread, Lachesis weaves it, and | ||
- | Atropos cuts it. Each thread represents a single life and the way the | ||
- | threads meander through the larger tapestry determines the fate of that | ||
- | life - who they interact with and when they die. | ||
- | |||
- | The tapestry floats in pieces around the three women - but then stretches | ||
- | above them and arches over you in a never-ending weave. | ||
- | with different colors and intensities. | ||
- | can be seen as part of the whole - while those father up fade into darkness, | ||
- | leaving only the brightest visible as point sources of light. | ||
- | |||
- | As you scan the tapestry nearest you, you spot a single thread. | ||
- | you see it as a light green thread - but then your sight shows you more. It | ||
- | is Thomas, a blacksmith who lives in a small village near the city of | ||
- | Restenford on Lendore Island. | ||
- | his life unfolds before you. A light yellow thread intersects his and the | ||
- | two begin a tight, spiraling dance around each other. | ||
- | off from the two. Then a fourth. | ||
- | crosses harshly and Thomas ends. The yellow thread stretches a short | ||
- | distance farther before fading into darkness. | ||
- | |||
- | " | ||
- | look. The future is the most dangerous knowledge of all." | ||
- | |||
- | Their voices draw you away from the tapestry and you notice to your left a | ||
- | stone pedestal with a large book. Its pages appear to be made of bronze and | ||
- | its covers and binding of iron. Above the open page, a marble stylus hovers | ||
- | magically, etching words at a furious pace. When it reaches the end of the | ||
- | page, it floats to the side and the metal page flips to the next. The stylus | ||
- | returns to the top of the new page and begins again. | ||
- | |||
- | You take a moment to stand before asking, "Where am I?" | ||
- | ask the question, you realize the answer is not relevant. | ||
- | better question, you mind still somewhat overwhelmed by the inrush of data | ||
- | from the tapestry. | ||
- | |||
- | The women smile, but do not answer your question - as if they already know | ||
- | you don't care about the answer. | ||
- | |||
- | Then, in a flash, the questions flow. "Why am I here? Who controls these | ||
- | ' | ||
- | |||
- | As you speak, you feel a slight embarrassment for asking so much at once, but | ||
- | the women begin their answers almost before you finish the last question. | ||
- | |||
- | "You are here because your soul left your body while within one of our true | ||
- | recreations - what your guide, Kir Ganin, calls your ' | ||
- | |||
- | "We were tasked with building these trials. | ||
- | passage from his realm if the journey was difficult. | ||
- | to the surface in safety, so a compromise was needed. | ||
- | agreed that we who weave the threads of life would control the difficulty of | ||
- | your trials, while The Rivers were allowed to watch from within - though they | ||
- | could not assist you. Eurynome chose this task - which was difficult for her | ||
- | since she was very close to her sister, Leuce, and still hates Hades for what | ||
- | he did to her. | ||
- | |||
- | " | ||
- | could use. The buildings, the land, and other non-sentients could be used as | ||
- | needed for these things straddle the lands of the living and the dead. | ||
- | However, only sentients who had already died could live again within the | ||
- | setting. | ||
- | opponents that had not existed in the original setting. | ||
- | |||
- | "When you reach the surface, you will be out of Hades' realm and your magic | ||
- | will allow a return to your world." | ||
- | |||
- | The answers seem complete, but soon the next round of questions begins to | ||
- | fill your mind. You are determined not to blurt them out all at once again, | ||
- | so you hesitate - trying to decide which is the most important. | ||
- | |||
- | "Who are the Rivers? | ||
- | |||
- | "The Rivers are the daughters of the Ocean. | ||
- | each inhabits and draws its power from one of the rivers on the twenty | ||
- | worlds. It is not our place to reveal the answer to the rest of your | ||
- | question." | ||
- | |||
- | The questions jumble through your mind. For some reason, you sense that you | ||
- | have limited time and will be unable to ask them all. | ||
- | |||
- | "Who was Leuce and what did Hades do to her?" | ||
- | but seems less important than others that bounce through your mind. Why it | ||
- | came to the surface makes you doubt that you are even in control of this | ||
- | conversation. | ||
- | |||
- | "Leuce was one of the Rivers. | ||
- | his bride - but, like most goddesses, she refused him. This angered him, so | ||
- | he took her by force. | ||
- | white Poplar, a tree that stands to this day on the edge of the Elysian | ||
- | Fields, marking the end of Hades realm. | ||
- | |||
- | "But this is all in the past - and the past cannot be undone. | ||
- | future remains open." | ||
- | |||
- | The invisible sense of urgency rises. | ||
- | your mind and conceal the rising tension. | ||
- | true sight remains and a thread stands out. | ||
- | |||
- | Like the undeniable attraction of a horror, your eyes follow the length of | ||
- | the thread. | ||
- | and intersects dozens of others, but never entwines like Thomas of Restenford | ||
- | did. And then, it stops suddenly. | ||
- | Thomas, nor fades like Thomas' | ||
- | without reason. And you sense an invisible thread. | ||
- | You pull your gaze back and see a pattern. | ||
- | thousands in an instant - and you remember the fate of Resh. The entire | ||
- | kingdom fell in a day, just over four years ago. Many stories have been put | ||
- | forth about what happened, but none seemed believable. | ||
- | |||
- | While the horror of Resh startles you, the draw of the tapestry remains. | ||
- | move your gaze elsewhere to find perhaps a happier thread. | ||
- | Goblin prostitute working among the Orcs who now live in the abandoned Elven | ||
- | kingdom of Pleven. | ||
- | briefest of looks. | ||
- | |||
- | Next is a young man named Syl. His thread crosses that of a great wizard | ||
- | named Pelham and changes color. | ||
- | after you see only more misery. | ||
- | |||
- | You move away again. | ||
- | redemption. Some lives that are not cut short by evil or altered beyond | ||
- | repair. | ||
- | |||
- | A spell tickles your mind. A gift from Imhotep that remains uncast. | ||
- | " | ||
- | now, you realize, it can be used to find a thread. | ||
- | spell. Would the Fates allow it to be cast? | ||
- | |||
- | You glance at the three women - who are watching you with an almost maternal | ||
- | grin on their faces. | ||
- | |||
- | " | ||
- | preparing your return. | ||
- | tapestry. | ||
- | |||
- | You think for just a moment and then speak. | ||
- | to delve into is my own." | ||
- | |||
- | The women smile and share a quiet glance with each other. | ||
- | why the gods have chosen you, Roderick. | ||
- | |||
- | And then, out of the corner of your eye, a light turns your head. A thread | ||
- | stands out from the others, its glow oddly familiar. | ||
- | along with several other threads - though not as tight as Thomas and his | ||
- | wife. You follow it and see familiar events: The dead city of Myagmarsuren, | ||
- | The tower amid serpents whose top stretched into chaos, The rubble at the | ||
- | resort that buried the only way home. | ||
- | |||
- | You marvel at the threads that cross yours. | ||
- | that intersect and end. So many lives cut short. | ||
- | |||
- | But then, you trace a few of those back and see the path of destruction they | ||
- | themselves had made. | ||
- | |||
- | And you begin to notice the other things. | ||
- | bloom into a bright line, spinning off light in all directions. | ||
- | |||
- | Back to your own thread, you begin to see events from Teleme and realize you | ||
- | are following the thread into the past. You hesitate at the realization, | ||
- | then begin scanning the other direction. | ||
- | looking? Is the future knowable? | ||
- | |||
- | These thoughts crowd out your reason for a moment, but the curiosity | ||
- | overrules them all. You keep going. | ||
- | |||
- | Threads leave the bundle. | ||
- | are cut short. | ||
- | nothing. | ||
- | |||
- | The thread vanishes. | ||
- | into nothing. | ||
- | |||
- | But there is a difference. | ||
- | the crossing with another life, the bundle you know as " | ||
- | an abyss. | ||
- | assumption you made was that it was some kind of natural, but early, death. | ||
- | If a man falls from a cliff, his bright thread stops suddenly without | ||
- | intersecting another. But how could the entire party end in the same manner? | ||
- | Surely, an accident could not take you all! | ||
- | |||
- | You scan the area trying to make sense of it. And as your pull your vision | ||
- | back, you begin to understand a larger picture. | ||
- | |||
- | There is a shadow across the tapestry. | ||
- | |||
- | Before you even think to ask a question, the women speak. | ||
- | conquered Limbo, he took on the aspect of Chaos. | ||
- | control. | ||
- | is not stopped, his gloom will cover the tapestry and there will be no plan." | ||
- | |||
- | You try to study the shadow, but see no detail. | ||
- | to connect with. After a minute or so, you realize you have become | ||
- | transfixed. | ||
- | yourself to look elsewhere. | ||
- | the coming shadow, you trace it back again into the past. Perhaps there is | ||
- | comfort in your youth. | ||
- | |||
- | You see Daniel again. | ||
- | moment, you wonder why he is in Hades' realm instead of living in the eternal | ||
- | peace of the offering fields. | ||
- | You shake that thought from your mind as soon as it appears. | ||
- | |||
- | Daniel' | ||
- | out and back. His thread bolstered many and cut short none. A tinge of | ||
- | shame returns. | ||
- | fell by your hand deserved little else, it is still beyond Imhotep' | ||
- | teaching. | ||
- | |||
- | And then, you recognize a thread. | ||
- | |||
- | Of the many threads that Daniel bolstered, one became far brighter than the | ||
- | average. | ||
- | No ... 22 years ago. | ||
- | |||
- | Shortly after his encounter with Daniel, his thread spirals loosely around a | ||
- | woman named Velova and then branches away in one direction just before | ||
- | Vincent springs from Velova in the other direction. | ||
- | |||
- | Your curiosity battles with your desire to be discreet. | ||
- | women' | ||
- | acceptable. | ||
- | Imhotep demands. | ||
- | |||
- | You follow Waran back. Who was he? Why was he fighting the goblins? | ||
- | |||
- | His thread fades as you follow it back in time until finally, it merges with | ||
- | what appears to be a family unit. His brother, Areno. | ||
- | Nysriss. The couple' | ||
- | |||
- | You stop looking toward the past and shift your view toward the future. | ||
- | sea of red threads swarm across the family. | ||
- | dead. But Aramil' | ||
- | drifts off in another. | ||
- | |||
- | Aramil' | ||
- | thread wanders away from Delkin often and then shuts off suddenly. | ||
- | and Aramil continue on until the child becomes an adult. | ||
- | |||
- | The pieces of the puzzle begin to connect. | ||
- | |||
- | Aramil and Vincent are cousins. | ||
- | forgetfulness to Laryn. | ||
- | back from near death. | ||
- | |||
- | The threads of your lives were entwined long before you ever met at the | ||
- | resort. | ||
- | |||
- | The gods have a plan for all of you. | ||
- | |||
- | Praise be to Imhotep! | ||
- | |||
- | And then you hear a word of power echo through the cavern. | ||
- | speaking the command word for your soul gem. | ||
- | |||
- | The world shifts and sharp, intense pains stab deep into your chest and | ||
- | abdomen. You are back in the tomb where the Angel of Imhotep crushed the life | ||
- | from you. Your body, however, has not been sufficiently repaired. | ||
- | see out of one eye, cannot move your legs, and cannot breathe. | ||
- | |||
- | In a few seconds, you will be dead again. | ||
- | |||
- | ==== Back amongst the group ==== | ||
- | |||
- | //per emails//: Flint casts //" | ||
- | casts //" | ||
- | |||
- | After Flint casts his healing spell, Roderick regains consciousness. | ||
- | is still badly damaged (and in no small amount of pain), he immediately casts | ||
- | a spell on himself - which brings him to a state of some comfort (or at least | ||
- | stability), though he is still in need of additional healing. | ||
- | |||
- | Before any of you can offer assistance, he declares that he has an urgent | ||
- | need to cast another spell - but he requires prayer time before he can ready | ||
- | it. | ||
- | |||
- | As tradition dictates a certain compassion for the dead and recently dead, | ||
- | the group decides it would be best to leave Roderick in peace while he | ||
- | prepares whatever spell he requires. | ||
- | |||
- | Fifteen minutes later, he is ready... | ||
- | |||
- | He gets up, strides over to the dead Planetar and begins a spell. | ||
- | unusually long one, but after a minute, he finishes and the creature stirs to | ||
- | life. | ||
- | |||
- | //Bigby: " | ||
- | |||
- | The Planetar begins to stand up - its great size would normally tower over | ||
- | Roderick - but it stops short, remains on one knee and bows his head. | ||
- | " | ||
- | nothing but to have my heart eaten by Ammit." | ||
- | |||
- | Roderick reaches out a hand and places it on the Planetar' | ||
- | though bowed, is still above Roderick' | ||
- | doing. The creature within you was responsible. | ||
- | |||
- | At this, Roderick pauses, turns back to the rest of the party and says, "It | ||
- | is gone, right?" | ||
- | |||
- | When he sees a couple of heads nod, he turns back to the Planetar. | ||
- | friend. | ||
- | |||
- | The creature lifts his head slowly, then after a moment' | ||
- | his full nine feet. He flexes his shoulders and his grey, mottled wings snap | ||
- | out to their full extent at a blinding speed. | ||
- | to have accumulated over time are shaken loose and the pure, white color of | ||
- | the feathers is restored. | ||
- | |||
- | He brings his wings back to a folded position and reaches toward Roderick. | ||
- | |||
- | "You have the mark of Hades on you. Let me rid you of that curse." | ||
- | |||
- | He casts a spell and touches Roderick' | ||
- | |||
- | //Roderick: " | ||
- | |||
- | Then, he closes his eyes for a moment and cups his hands together. | ||
- | white light emerges from his palms, leaking through his fingers and rising in | ||
- | intensity until it is too bright to watch directly. | ||
- | and he pulls his hands apart to reveal a small bead. He leans close to | ||
- | Roderick, hands him the bead, and whispers something that the rest of you | ||
- | cannot hear. | ||
- | |||
- | //Aside//: | ||
- | < | ||
- | The Angel leans in close to you and says, "My name is Iabi. Speak my name | ||
- | and I will come." | ||
- | |||
- | The bead he hands you is a "Bead of Summons" | ||
- | onto your Strand of Prayer Beads. | ||
- | </ | ||
- | |||
- | About this time, Kir Ganin, your blind Lomasi Guide, raises his head to the | ||
- | ceiling and says quietly, " | ||
- | |||
- | ==== Godsland ==== | ||
- | |||
- | Above you, at the apex of the tomb chamber, a fog has appeared. | ||
- | just a few feet below the ceiling - roughly 20 feet above your heads. | ||
- | |||
- | As you rise up through the fog, you emerge into a steep-walled natural | ||
- | cavern. From above, daylight spills in through a small hole about twenty feet | ||
- | farther up the rocky slope. | ||
- | lines of water trickle down the rock. Outside, you hear rain. | ||
- | |||
- | The sound and smell of the rain - even from this far away - erases the | ||
- | fatigue and despair that had so permeated your being that you could not | ||
- | remember their absence - until now. | ||
- | |||
- | After settling on the floor of the cavern, your guide, Kir, points his blind | ||
- | eyes to the hole above and says simply, "She is here." | ||
- | |||
- | The rock walls are steep and wet, but Kir begins to navigate them with ease. | ||
- | He seems driven by a purpose you have not seen since he hurried you out of | ||
- | Hades' waiting room four ... or was it five? days ago. | ||
- | |||
- | As there is no other exit, it seems natural to follow him. After all, he | ||
- | claims to be your guide. | ||
- | |||
- | By a combination of climbing and magic, you emerge from the hole onto a | ||
- | green, grassy field. | ||
- | more awesome than any you have seen so far in your lives. | ||
- | even for Pavo). Ahead, rolling grassy hills descend into a long, lush valley. | ||
- | Aside from the grass, there are no other plants other than a lone white | ||
- | poplar tree about one hundred yards to your left. | ||
- | |||
- | Above you, a dark, heavy rain cloud hovers. | ||
- | the slope of the mountain, you see sunlight and blue sky. But here, the rain | ||
- | is steady, hard, and warm. Unlike a normal shower, it does not vary in | ||
- | strength. No matter where you stand, large drops pelt you incessantly. | ||
- | at first, some of you have an instinct to shield yourself from it, this | ||
- | feeling passes almost as soon as you are directly exposed to it. | ||
- | |||
- | It feels ... wonderful. | ||
- | |||
- | Some of you are reminded of the look Roget got when the rains came. While | ||
- | the rest of you would scamper to cover, he would stop, tilt his head back and | ||
- | close his eyes - as if the rain were a religious experience. | ||
- | way, it was. | ||
- | |||
- | You notice the scrapes and wounds from the past few days begin to fade. The | ||
- | ache of the climb, the despair of near-constant fear, and the stress of an | ||
- | unknown future melt with each new drop. | ||
- | |||
- | After a minute of silence, Bigby notices Kir. He emerged ahead of you and | ||
- | stands some distance from the hole. But instead of the serenity that you | ||
- | feel, he stands with shoulders slumped and head bowed. | ||
- | to see that his clothes remain dry, his hair still dusty from passing through | ||
- | the tomb. The only moisture on him is a tear etching a line through the dust | ||
- | on one cheek. | ||
- | |||
- | "This does not seem to touch you," Bigby observes. | ||
- | |||
- | Kir turns, shaken from his reverie. | ||
- | |||
- | He shambles back to the cave opening and begins to climb back in. As he does | ||
- | so, his hand touches the wet rock near the entrance and he recoils in shock. | ||
- | His fingers are wet. He brings them to his lips to taste the rain and his | ||
- | tears begin to flow. | ||
- | |||
- | "Thank you, my queen," | ||
- | back into the darkness. | ||
- | |||
- | After he is gone, you begin to look to each other. | ||
- | But just as you start to voice your question, you hear a voice. | ||
- | |||
- | "Well done, voyagers." | ||
- | to locate it, the rain fills an empty shell in the air and as suddenly as she | ||
- | appears, the rain stops. | ||
- | |||
- | "I am Matchitisiw." | ||
- | |||
- | ==== The living rain ==== | ||
- | |||
- | She is young - perhaps in her twenties, with a slight, almost elven, build. | ||
- | Her hair is a deep black and her skin is gold. She wears a flimsy, sheer | ||
- | white robe with nothing underneath, that clings to her skin as if she has | ||
- | just come from a bath. A black belt is emblazoned in silver with the same | ||
- | stylized rain cloud that Kir has on his belt. On her left hand is a plain, | ||
- | gold wedding ring. And she is visibly pregnant. | ||
- | |||
- | Those of you with a preference for females (of any race) become immediately | ||
- | (and almost uncomfortably) aroused. | ||
- | beauty and find that all you want to do right now is listen to her. | ||
- | |||
- | //" | ||
- | defend yourselves normally, but take no other actions// | ||
- | |||
- | She steps toward Roderick. | ||
- | background hiss like the sound of falling rain. "We have never met in person | ||
- | - despite what you may believe." | ||
- | across Roderick' | ||
- | ahead for you - and bringing light to the shadow is not the only one. But | ||
- | Imhotep will help you when you need him and you will help him when he needs | ||
- | you." | ||
- | |||
- | Then, she steps to Bria. As she does, some of you spot a look of surprise | ||
- | cross Roderick' | ||
- | at his belt - a seemingly instinctive move - but then steadies himself as a | ||
- | calm returns to him. He gives a knowing nod to those who noticed him. A | ||
- | silent gesture that everything is fine. | ||
- | |||
- | //Aside//: | ||
- | < | ||
- | Right after she turns away from you, you hear a scream in your head that | ||
- | | ||
- | | ||
- | | ||
- | |||
- | " | ||
- | no undead. | ||
- | |||
- | And then, almost without a gap, it says, " | ||
- | over there? | ||
- | </ | ||
- | |||
- | To Bria, she says, "You have much to know, Bria. But I understand and accept | ||
- | your decision if you choose not to join Roderick' | ||
- | gently touches Bria's neck. | ||
- | |||
- | Next, she turns to Lashmere. | ||
- | learn what it is to be a man, and not a pawn in a game beyond your control. | ||
- | I release you from the shadow." | ||
- | back as if shocked. | ||
- | |||
- | Next, Bigby. | ||
- | when I leave. | ||
- | finger across his chin. | ||
- | |||
- | Throughout all of this, the Planetar has stood stoically. | ||
- | him, he drops to a knee and bows his head. "You are one of the rivers, are | ||
- | you not?" he asks - his face pointed to her feet. | ||
- | |||
- | She reaches up to place her hand on the top of his head, however because or | ||
- | her size, he is obliged to lower himself a few more inches so she can reach. | ||
- | "Yes, Iabi, I am a daughter of the ocean. | ||
- | your master. It is not my place to decide your fate." | ||
- | still on his head, she gestures with her left and the great winged man | ||
- | vanishes. | ||
- | |||
- | She walks across to Pavo. "My sister, Leuce, waits for you across the field | ||
- | with a gift." | ||
- | touching two fingers to his face with the other. | ||
- | |||
- | Next is the Githzerai. | ||
- | to play, but it does not involve the crystals. | ||
- | even to your allies. | ||
- | with her hands and stares intently into his eyes for a few seconds, before | ||
- | moving on to the next person. | ||
- | |||
- | " | ||
- | be needed again in the coming months. | ||
- | not lose the man." | ||
- | |||
- | Next is Flint. | ||
- | an ancient language. | ||
- | anew, Manth!nar' | ||
- | granted a second chance. | ||
- | from the coming gloom." | ||
- | |||
- | //Flint: "True Resurrection" | ||
- | Life") - something you did not know you were in need of// | ||
- | |||
- | Finally, she comes to Vincent. | ||
- | know, perhaps more than the others, his uncaring malice toward the twenty | ||
- | worlds. | ||
- | face. | ||
- | |||
- | //To All: You have been granted a permanent " | ||
- | choose one of the following effects: Either the standard spell (+1 to all | ||
- | saves) or a specialized version (+2 vs. fear effects). | ||
- | be dispelled by a being with a Divine Rank higher than 8// | ||
- | |||
- | After she finishes with each of you, Matchitisiw steps gracefully to the side | ||
- | and scans her eyes across the group of you. | ||
- | |||
- | "Any questions?" | ||
- | you expect from such a being. | ||
- | closed as she stepped from one to the next of you, now you find that the fog | ||
- | her beauty created is fading from your mind. | ||
- | |||
- | A few seconds of awkward silence follow while you try to refocus your minds | ||
- | to ask the questions that are only now bubbling to your lips. | ||
- | |||
- | Bigby manages to react first. | ||
- | Free Will? Is there purity in Chaos? | ||
- | |||
- | She smiles slightly before speaking. | ||
- | defines it? And who grants it? Can such a thing even be granted? | ||
- | |||
- | "When we created ourselves, we also created the Fates to weave the tapestry | ||
- | of the universe. | ||
- | free will. | ||
- | |||
- | "As for Chaos, it is a force that both created and will eventually destroy | ||
- | this existance. | ||
- | cannot. | ||
- | pure, then all that is will be no more and the cycle will begin anew." | ||
- | |||
- | Then, she hesitates and looks away for a moment. | ||
- | belly and smiles again, as if reliving a fond memory. | ||
- | she finally continues. | ||
- | great determination. | ||
- | rule more than just the Lomasi - and more than just the Dyanai." | ||
- | |||
- | She scans across the group again - which reminds you that it is time to ask | ||
- | your questions. | ||
- | |||
- | " | ||
- | see you for the first time, and I hope that all is well with you, your | ||
- | people, and with Roget. | ||
- | |||
- | "If I may, I would like to ask a question of you. In these trials that we | ||
- | have been through, are the people in them inhabitants of Hades' realm, or are | ||
- | they the images of those who have passed on to the afterlife in their | ||
- | respective planes?" | ||
- | |||
- | " | ||
- | creations with those who had already departed the world of the living. | ||
- | true you were traveling through Hades' realm and that he rules only a portion | ||
- | of the land of the dead, but the Fates could draw from all the dead." | ||
- | |||
- | Then, as if she senses the relevance, she continues, "Worry not about Daniel, | ||
- | Roderick. | ||
- | |||
- | Turning back to the rest of you, she says in a more boisterous voice, "And | ||
- | since you also ask about Roget, perhaps it is fitting that you all see your | ||
- | old comrade." | ||
- | |||
- | She gestures to the clouds above with a single, outstretched hand, palm up. | ||
- | A second later, a small cylinder of rain appears next to her. The drops | ||
- | begin to glint with a rainbow of colors until the whole forms an image. | ||
- | After a few more seconds, you no longer see rain and instead see a scene from | ||
- | somewhere else. | ||
- | |||
- | Roget is sitting on a rock, head cradled in his hands. | ||
- | number of young men holding wooden swords and makeshift shields. | ||
- | rises. | ||
- | different about him ... perhaps something in the way he carries himself. | ||
- | |||
- | He speaks to the assembled young men, "OK ... because yesterday someone' | ||
- | feelings got hurt, today I'll start with everything you did right ... none of | ||
- | you managed to stab yourselves with your practice swords." | ||
- | background, a young man hides his bleeding arm behind his back. "As for what | ||
- | you did //wrong// ... " | ||
- | |||
- | The sound in the image shuts off while the very animated Roget continues his | ||
- | lecture. | ||
- | he is having the time of his life. | ||
- | |||
- | The image disperses into colored rain drops. | ||
- | gone. | ||
- | |||
- | Matchitisiw turns back to the group and Vincent steps forward. | ||
- | |||
- | "When the time comes," | ||
- | wield the assembled crystals?" | ||
- | |||
- | "The crystals are a key to a larger prize. | ||
- | opens the door - but that the door is opened." | ||
- | |||
- | Vincent continues, "Do Aramil' | ||
- | significantly aid our quest to defeat the Shadow Lord?" | ||
- | |||
- | " | ||
- | memories is no loss at all." | ||
- | |||
- | "I am concerned about Bigby' | ||
- | |||
- | "All powerful magic has risk. But the wand should concern you more for where | ||
- | it came from, rather than what it is. The Lords of Chaos now bend to the | ||
- | will of Shadow. | ||
- | |||
- | Then, Vincent hesitates for a second, his eyes touch upon many of the rest of | ||
- | you. Finally, he asks, "Who is my Father?" | ||
- | |||
- | "The pieces of the puzzle of your life - and that of your cousin - were used | ||
- | to demonstrate a point. | ||
- | time, he can provide you with the answers you need." | ||
- | |||
- | Before Vincent can digest the answer or consider a follow-up, Pavo blurts out | ||
- | a series of questions - as if he fears he will miss his opportunity if they | ||
- | are not asked immediately. | ||
- | |||
- | "Would it be advisable to attempt to claim my birthright, either in the long | ||
- | deep or elsewhere? | ||
- | assistance of my family, my uncles in particular? | ||
- | arms, the assistance of my campaign companions both current and past, or | ||
- | perhaps a powerful combination of both? How would you direct my path for a | ||
- | favorable outcome?" | ||
- | |||
- | "There is no such thing as a birthright - though people have killed and died | ||
- | to defend them. The greatest of kings can lose his throne. | ||
- | of serfs can rise to be worshiped as a god. | ||
- | |||
- | "If you believe you have a right to something, then it will be yours only if | ||
- | you claim it - and only if you hold it. But doing so with force of arms is | ||
- | more difficult and dangerous than with compromise and negotiation. | ||
- | uncles are wise, but can be undone by greed. | ||
- | or their strength is a matter of how they are approached. | ||
- | |||
- | "As for your companions, I sense that the deep frictions that have plagued | ||
- | your company from the beginning are kept at bay only by the larger | ||
- | obligations. | ||
- | the crystal in the Drow city - then I foresee few of them willing or able to | ||
- | help you." | ||
- | |||
- | As Pavo puzzles through his answers, trying to decide whether she answered | ||
- | them all, Bria steps up. "Will I ever regain my kingdom?" | ||
- | |||
- | " | ||
- | lives on with Corellon in Arborea. | ||
- | restored to Thentao' | ||
- | was once Pleven will not be seen for centuries, if ever." | ||
- | |||
- | She scans her eyes over you all once more, pauses for no more than a second, | ||
- | then turns her head to the clouds. | ||
- | before. | ||
- | |||
- | "You may rest here as long as you need. Hades no longer shields you from | ||
- | returning home. But do not wander. | ||
- | other - and many of the landholders here do not appreciate trespassers." | ||
- | |||
- | And with that, her body melts into water and flashes upward into the dark | ||
- | clouds overhead. | ||
- | |||
- | The rain continues unabated for a //very// long time. | ||
- | |||
- | [[voyager70|Back to the session description]] | ||
voyagersecret90.1168110123.txt.gz · Last modified: 2017/05/27 18:48 (external edit)